Lovers in Art

During the half-century from c. 1770 to 1820 in the Mewar kingdom: works of a family of artists based principally at Devgarh - Bagta (or Bakhta) and his son Chokha (or Kavala).

Period of political decline and royal penury for the Sisodia rulers: Bagta and Chokha preserved the best traditions of mid-18th-century Mewar painting, while boldly reinterpreting and reinvigorating its conventional forms.

Bagta developed an expressive and flamboyant personal style.

Chokha was a vigorous and intensely characterful painter who remained active up to the mid-1820s. His work is robust, sensuous, playful, and resourcefully eclectic in style, and it often reveals anearthy sense of humour.
 

Indian artists didn't use perspective and painted 2 dimensional art that are not meant to look realistic.

They were stylists, not realists.

There were Indian artists who began to use the European style of realism in their paintings.